They play off of each other surprisingly well, but still occasionally sound as though they’re “fighting” each other. His saxophone sounds alive and there’s a very nice human quality throughout his sax screams, weeps, and breathes with the other musicians in the trio as an almost secondary component. Though it’s difficult to keep up with Perelman (and especially his drummer, since the drumming is extremely unorthodox and quite “free”, adhering to absolutely nothing), Perelman’s playing is phenomenal. This album is disorienting and spastic, changing from completely directionless and dissonant segments to something that has some sort of melody to it. ![]() ![]() >It’s difficult to make heads or tails of this album due to its overall style – it’s very disjointed and noisy for the most part, with out-of-time drums and squealing saxophone, along with a few other (non)instruments.
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